Growing up on a junkyard helped this sculpture artist learn how to 'find beauty in the overlooked'

Book cover jacket of Jeffie Brewer's newly released book Joy Machine  (K.Co Press graphic)

Growing up on a junkyard may sound depressing, but for Jeffrey or "Jeffie" Brewer, an East Texas native sculpture artist, his childhood days living among discarded things helped him develop his quirky, playful artistic style. He shares some of his artistic wisdom and childhood experiences with Olivia Weeks of The Daily Yonder. A condensed version of their Q&A is shared below.

Weeks: Tell me about yourself — who are you, what do you do, and where do you live?

Brewer: I’m just an artist specializing in colorful, silly, sometimes thoughtful sculptures that bring a touch of playfulness to public spaces, private homes, galleries, and museums. I live and work in East Texas, where I make things out of metal, often inspired by my childhood, the natural world, and whatever is rattling around in my brain at any given moment.

Weeks: Can you tell me about your town, Nacogdoches, and maybe a little about East Texas in general?

Brewer: Nacogdoches and East Texas in general have a character all their own – there’s something deeply rooted, raw, and nostalgic about the place. It’s home to lush, dense forests, rolling fields that stretch endlessly, and a lot of Texas history. The area has a quiet charm that speaks to a slower way of life, full of folks who are deeply connected to this place. . . . At my core, I am a redneck, with a thin veneer of culture and worldliness.

Weeks: In your book, Joy Machine, you write about growing up on a junkyard, and about how formative it was to your work. What were those early artistic explorations like? Did they all start with other people’s junk?

Jeffie Brewer's art brings a sense of playfulness into spaces.
(Photo by David Kimling via The Daily Yonder)

Brewer: Growing up in the junkyard taught me to find beauty in the overlooked, to take pieces from the past and either repurpose them or simply collect them. It was more a place for learning about industrial tools and working with my hands than a place for making art, per se. . . . The junkyard offered a space to destroy and rebuild, almost like a lens to see the world through. It gave me skills and memories that would later shape my understanding of what art could and would be.

Weeks: You seem to have always been into monsters and animals and creatures of all kinds — I’m thinking of your lovely 'Burds.' Where does that come from? And what’s your relationship like to the characters? Do they have personalities to you?

Brewer: Animals, creatures, and whimsical shapes have always fascinated me – they offer such freedom for imagination. 'Burds,' and other characters, let me play with personality, form, and storytelling. I see each creature as having its own charm and quirks, and in many ways, they become real to me, carrying a personality as I work on them.

Jeffie Brewer's book, Joy Machine, was released this month from K.Co Press.