Entries for Best in Rural Writing Contest can be submitted by Sept. 1; fiction and nonfiction entries are encouraged

Entries for the 2026 Best in Rural Writing Contest can be submitted by Sept. 1 for a chance to win up to $500 and be considered for publication in a future Best in Rural Writing anthology. 

Submissions can be entered in the fiction and nonfiction categories, and can be up to 7,000 words. 

Submission information is available through the The Milk House, a rural writing collective that features stories, essays and poems on rural subjects.

"Contest submissions may be previously published, and will also be read within 3-4 months of submitting with an eye towards publication on the site (themilkhouse.org), as well as the forthcoming Best in Rural Writing print anthologies," according to the website.

The first place winner will receive $500, and second place will receive $200. 

If you have questions about entering the contest, please contact Ryan Dennis at RyanDennis@themilkhouse.org.

Opinion: Rural communities need younger residents to become leaders, but some changes may have to come first

Calendars and contact information
can be shared multiple ways.

Older Americans often dominate positions in local government and social circles that influence a rural area's civic activism. While it benefits the "Old Guard" to remain active, their resistance to inviting a younger, more "techy" cohort of residents into their ranks has led to a decline in community engagement and volunteerism, writes Donna Kallner in her opinion piece for The Daily Yonder. 

"Rural communities need younger people to step up into leadership roles in local government, volunteer organizations, churches, schools, and families," Kallner explains. "But too often those younger people run up against ways of doing things. . . .The Old Guard in the other group shuts down any idea or strategy that isn’t a legacy from the 20th century. . . . And then people moan about how you can’t get anyone to volunteer, or run for office, or call to engage."

Kallner encourages more senior members of rural communities to develop relationships with younger residents that welcome, respect, and promote their voices and contributions -- even if that means changing the way things "have always been done" and using some technology to lighten everyone's loads. A few of her lightly edited suggestions are shared below.

Respect everyone's time. Show up on time, knowing what needs to be accomplished and get to it. That’s baseline respect for people who, in order to be there, have made child care arrangements, rushed from work with maybe a bun-and-run for supper, and still have to clear snow from their driveways when they get home. 

Be open to using technology. Today’s cell phones put remarkable tools in our pockets. Tools like calendar apps with a handy, customizable feature called Notifications that can give a heads up the evening before and/or day of an event or when a task needs to be done. Trying to be respectful of other people’s time? Set repeating alarms for monthly meetings to sound early enough to get there on time. 

Share contact information, courtesy and grace. A text group can alert a dozen people before they even leave home when a power outage or plumbing issue closes the coffee shop where you expected to meet. . . . Especially if you’re an event organizer, be sure to share and re-post your cell number. Remember to check your messages and voice mail so you can relay information to those unable to attend. 

Ozarks duo share vocals and instruments that 'reflects layers of history ... and the recognition that rural voices are important'

Cindy Woolf and Mark Bilyeu perform at the Library of Congress in August.
(Photo by Kaitlyn McConnell, The Daily Yonder)

Since the 1800s, music from the American Ozarks has combined instrumentation and vocals from northern Europe, West Africa and German traditions. The region's rugged topography and relative isolation helped its music develop a distinct and often haunting musical style.

While the Ozarks are no longer as isolated as they were more than 200 years ago, its talented musical artists, including the married duo of Cindy Woolf and Mark Bilyeu, known as The Creek Rocks, are determined to keep the musical heritage alive, reports Kaitlyn McConnell for The Daily Yonder.

When The Creek Rocks play, their music draws from "folk tunes and ballads, passed down from other continents and cultures before finding their way to the Ozarks," McConnell writes. The duo's sound ultimately reflects "layers of history... and the recognition that rural voices are important. . . .They are the voices of lived experience, linking generations and stories."

When the couple performed at the Library of Congress in August, the "echoes of generations of Ozarkers reverberated through the auditorium," McConnell adds. The Creek Rocks were "chosen as the library’s American Folklife Center’s inaugural Artists in Resonance, a fellowship founded to 'support artists in creating new musical works inspired by and sourced from collection materials in the Center’s archives.'"

The artists have dedicated part of their life's work to "research and document local folk culture," McConnell explains. "As part of the fellowship, Bilyeu and Woolf traveled to D.C., where they conducted research in the library’s archives."

As part of their fellowship, they focused on a musical collection by Sidney Robertson Cowell, who "visited the Ozarks in the mid-1930s," McConnell reports. Cowell's collection includes recordings from "local musicians in Virginia, Arkansas, Tennessee, and North Carolina."

The Cowell collection helped Bilyeu and Woolf hear and feel the distinct difference in Ozark music from this time period. McConnell writes, "'Ozarks folk music, as revealed by these collections, is all about the voice,' Bilyeu said – a key difference is in the way the songs sound. The tunes Cowell collected seemed even more 'ancient,' as Woolf put it, due to their musical structure."

Hear The Creek Rocks perform at The Library of Congress here.